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LE SONGE / DREAMPLAY, November
and December 4 2004
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dream
of the best and the worst of our city and the people who inhabit
it
dream of shifting
languages, politics and cultures
dream of beliefs
and spirituality, which have become fractured and disoriented
dream of the
beauty and the horror, the agony and the ecstasy of our lives
today
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The daughter of god arrives on earth to see if human beings
are still deserving of his compassion. You are invited to
explore this dream, first created by Strindberg, and now updated
to present day Montreal. Come reflect with us upon the problems
and obsessions of our society.
Based on the play by August Strindberg
Le Songe / dreamplay ran for 15 performances at Théâtre
La Chappelle November 16- December 4 2004. The show included
arial circus performance, stylised movement sequences, live
polyphonic singing, video sequences, an original electroacoustic
score, and committed performances by eight accomplished actors.
It was performed in French and English, with several other
languages being introduced at various points. The piece ran
for two hours with no intermission (in fact we began 15 minutes
later than advertised in order to allow the audience an intermission
prior to the performance).
We were very proud of our achievement with this piece. Audience
responses to it varied along a spectrum from being deeply
moved and engaged to interested and enthusiastic to less engaged
and frustrated to hostile and downright angry. This range
of response might be expected to the first performances of
a new adaptation of such a difficult and challenging piece
of theatre.
A contemporary bilingual adaptation
Director Kate Bligh has adapted Strindbergs masterpiece
A Dream Play to modern day Montreal. While adhering
rigorously to the structure created by this acknowledged giant
of Western drama, Bligh has introduced contemporary preoccupations
and excised the arcane habits and mores of turn-of-the-nineteenth-century
Swedish society. This adaptation incorporates translations
and interpretations of Strindbergs original text, improvisations
and stories from members of the temenos ensemble, references
to many ancient and more recent literary and religious works,
and monologues written by three promising young Montreal writers;
Owen Belgrade, Anne-Marie Boivin and Joris Jarsky. This multi-media
production includes video, electro-acoustic music, magic and
circus skills.
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Direction & Adaptation : Kate Bligh
With improvised, written and devised contributions from: Lucas
Fehr, Sadia Mahmood, Marc Mauduit, John Mounsteven, Marcela Pizarro
Minella, Elkahna Talbi, André Doucet, Marcelo Arroyo, Martin-David
Peters.
With corrections and translations by all those listed above, and
Anne-Marie Boivin, Elaine Normandeau.
Cast
Sadia Mahmood
Marcelo Arroyo
André Doucet
Lucas Fehr
John Mounsteven
Martin-David Peters
Marcela Pizarro
Elkahna Talbi |
Design
Eric Mongerson : Sets and lights
Tomas Phillips : Music
Ivan Presser : Video
Susana Vera : Costumes |
Théâtre La Chapelle,
3800 St-Dominique
Le Songe / dreamplay was included as one of ten productions in
The Gazettes Top theatre picks of 2004.
Some extracts from press reviews:
An endlessly challenging
show, Le Songe / dreamplay is vigorously recommended to anyone not
ready to give up on the notion that theatre ought to deliver more
than just a few hours of painless diversion.
So dont ever accuse
director Kate Bligh of walking away from a serious challenge.
our
director least afraid to take dramas less traveled roads.
Matt Radz, The Gazette
on rend plutôt
bien une certaine réalité montréalaise, et
que les nouveaux personnages, hauts en couleur, respectent assez
bien lénergie et la direction originales.
tous les comédiens
chantent bien et les parties musicales sont remarquables.
Stéphane Despatie,
Le Voir




C R A V E , November 2003

more
photos
"Kate Bligh's got the
dibs on the title of season's best director
pure genius
"
Matt Radz, The Gazette
"une audace éloquente
où l'intensité ne se dément jamais."
Sophie Pouliot, Le Devoir
THE PLAY
A quartet of voices intermingle feelings of desire and resentment,
optimism and despair. Are they caught in a trap, or willing prisoners?
Are they more, or less, lost than we are?
Crave maps some of the most unforgiving internal landscapes; of
loneliness, of mental collapse, of love. While bleakness and desperation
are a recurring feature of Kane's work, Crave, her final piece also
offers aching reverberations of beauty and optimism. In this exquisitely
crafted piece of theatre Kane combines sly allusions to Shakespeare,
TS Eliot and children's songs with flashes of personal revelation
and excerpts from her own love letters.
In English
THE CREATIVE TEAM
Directed by Kate Bligh
Designed by Ève-Line Leduc
Lighting by Eric Mongerson
Original music composed and performed by John Phillips & Tomas
Phillips
Stage managed by Emily Newell
Cast: Lucas Fehr, Carmen Grant, Sadia Mahmood, John Mounsteven


Xstasis, May 2003

more photos
On May 28, 29 and 30 2003 temenos took over the streets of Montreal with the Xstasis project co-produced with the British
company, OPTIK.
The first of temenos' projects was in collaboration with OPTIK, a theatre performance group from Great Britain which
has been touring internationally for more than 10 years. Their unique performance style, based on spontaneous creative impulses, weaves together
music, technology and direct action provoking distinct thoughts and responses from every onlooker.
OPTIK explores impulse through the body and movement. Their work is a sculptural performance adapted to the performance space. They
create images of connection and disconnection, of organization and chaos in space.
The two week preparatory workshop for this production entitled Xstasis, was held in collaboration with Concordia University. Five
artistss from the OPTIK group worked with members of the temenos ensemble as well as students from the theatre and music
departments of the University in preparation for the three public presentations. These were one outdoor performance and two indoor performances
with live video and music.



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