|
Lectures |
|
Francisco
T‡rrega (1852-1909) |
T‡rrega is
behind the revival of classical guitar in the 20th century.
Through his compositions, his teaching and collaboration with the luthier
Antonio Torres, he has had a most decisive influence on modern guitar. Miguel
Llobet was one of those who benefited most from the teachings of the master
which he later transmitted to the young Andres Segovia. All of TarrŽgaÕs
compositions voice without flaw, a lyricism and delicacy recalling that of
Chopin.
|
|
La
guitarra flamenca |
Places : Jerez, Sevilla, Granada and M‡laga. Music :
Seguiriyas, Soleares, Buler’as and Fandangos. Performers :
Montoya, Ni–o Ricardo and Sabicas. Technics :
rasgueado, trŽmolo, picado and alzapœa. A single instrument : the guitar and one
passion : flamenco. Music,
slides and demystification. |
|
Spain and the guitar |
The
history and geography of Spain, have allowed a unique culture to take shape
around the guitar. Can you think of any country where there is a closer
relationship between the indigenous culture and a musical instrument, as is
the case with Spain and the guitar? This is particularly evident with the
works of Spanish composers such T‡rrega, Sanz, Rodrigo de Falla and Sor. We
shall now travel to sunny Spain.
|
|
Fernando
Sor (1778-1839) |
Fernando
Sor lived during a most turbulent segment of the European history. Born in
1778 he died in 1839. From Barcelona to London through Paris and Moscow, the Catalan
composer laid the foundations for the modern technique of classical guitar.
His 12 studies op 6 are tiny gems of literature for guitar.
|
|
Bach
and the lute (1685-1750) |
Long
before the piano or harpsichord, lute reigned as polyphonic instrument par
excellence. In Germany, its presence continued until the 18th century, which
allowed Bach to write the last major pages for this noble instrument. He
actually wrote a total of seven pieces between 1720 and 1730. History of the
lute and of a great man. Music and
slides. |
|
© Michel
Beauchamp 2009 |
|